Texas chain saw massacre mask movie#

There is no goofy, dancing manchild here. The man himself is pure rage as well and a thoroughly imposing presence. The mask is wild, a look of rage frozen upon it. You could argue that this is the scariest version of Leatherface. Andrew Bryniarski doesn’t aim to copy Hansen’s portrayal from the original film. No one expected much from this Michael Bayproduced remake, but it was a surprising success.

Texas chain saw massacre mask movie#

The best part of the movie though is that he meets his match in a crazed sheriff played by the late, great Dennis Hopper. It’s sexual but also an act of curiosity, and there is an unnerving build as you wonder what he’s capable of. Her legs are spread and Leatherface runs his chainsaw up her thigh while licking his lips. It’s a smaller scene later, where he has a female radio DJ trapped in a room. The scariest scene of the movie is not the opening bridge scene, where with a dead body attached to the front of him, he cuts up two men in a car. He’s still mentally challenged and childlike, and jumps around and dances like a madman. He’s not a one dimensional slasher, but a character, even if at times he’s portrayed a bit over-the-top. That, however, is what makes this version of Leatherface work.

It’s a demented film with lots of unexpected laughs. Original Leatherface Gunnar Hansen did not, but his replacement Bill Johnson more than holds his own. Original director Tobe Hooper came back for this bizarre sequel. This gives us one of the worst lines ever, when Daddario cheers Leatherface on with, “Do your thing, cuz.” The filmmakers try to remake Leatherface as a sympathetic anti-hero, a mass murderer who can be redeemed simply because those who are out to take him down are bad people, too. She reveals her relation to him, and he chooses not to kill her, but instead turns his rage upon the mob. Those out to kill Leatherface are so brutal that Daddario’s character begins to feel sorry for him, despite the fact that he’s just spent most of the film chopping up her friends. In a late twist, it’s revealed that the protagonist, Alexandra Daddario, is the maniac’s long lost cousin, which now puts her life on the line as well. The townsfolk and the police are shown to be the true villains, who are out to kill everyone in Leatherface’s family.

It would be a sufficient portrayal, but then comes the final act. He is physically imposing, and the mask is creepy looking. The curveball is so far out of left field that it’s not realistic.ĭan Yeager does a fine job playing Leatherface in this sequel, which picks up from the first film. This results in an odd looking muzzle being attached to his mangled face, and now given a chainsaw, boom, he’s Leatherface. He can speak and seems less disturbed than the others, but then he snaps, kills a cop, and is shot in the face by another. Leatherface is revealed to be a different inmate, a good-looking kid played by Sam Strike. The climax sees a twist that exists solely to shock the audience. He looks and acts just like we’d expect Leatherface to be, which means that it can’t be him. He’s disturbed and mentally challenged, with long hair and a heavy build. One of the escapees, played by Sam Coleman, seems the obvious choice to be the young Leatherface. It’s a semi-interesting approach, but it fails in its execution. We’re promised that one of them will be revealed as Leatherface. This film is a whodunit that follows a group of escapees from a mental asylum. This entry comes in last for the simple fact that the Leatherface we know is barely in it.